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Winsor Newton Artisan is a genuine oil colour which avoids conventional solvents and cleans up with water. Colours: Cadmium Yellow Pale Hue. Permanent Alizarin Crimson. French Ultramarine. Phthalo Green (blue shade). Yellow Ochre. Titanium White.

Cotman Water Colours are a range of watercolours that are made to Winsor Newton's normal high quality standards but costs are kept to an economical level by replacing some of the more costly pigments with less expensive alternatives. Colours: Alizarin Crimson Hue. Ultramarine. Lemon Yellow Hue. Cadmium Red Pale Hue. Yellow Ochre. Burnt Sienna. Cerulean Blue. Viridian Hue.

Cotman Water Colours have been specially developed for the watercolourist who requires quality transparent Water Colours at a uniform and econmomical price. Cotman possess good transparency, with excellent tinting strength and working properties.

Winsor Newton have been producing Designers Gouache since 1935 and to this day they continue to offer the finest artists gouache range available.

Griffin Alkyd Fast Drying Oil Colour is a genuine oil colour made from pigment and oil modified alkyd resin which can be thinned using conventional oil colour solvents.

By removing the varnish over a painting you can remove the dirt and pollutants trapped. Winsor Newton Artists Acrylic Varnish Remover allows you to safely remove varnishes with no damage to your painting. It removes Winsor Newton Artists Acrylic Gloss, Matt and Satin Varnishes.

A pale coloured solution that increases the gloss and transparency of water colour. It can be thinned with water.

Aquapasto is a transparent gel medium that reduces flow and gives a bodied effect to water colour and gouache.

This medium improves the flow of the colour making it ideal for blending or fine detail work. It provides an even matt finish and increases the water resistance of the colour when dry. This medium contains clear binder and matting agents giving you no loss of colour depth when used with Winsor Newton aRtists Acrylic.

Pocket-sized plastic box with white integral palette with additional sliding palette and mediums dish. 14 artists watercolour half pans with Series 16 sable brush.

As the inventors of moist colour, Winsor Newton never underestimate the importance of using the purest pigments and gums to provide colours of unsurpassed brilliance and transparency.

A wetting agent used to improve flow when mixed directly with water colours. It can also be used on very hard sized papers to reduce surface tension.

6 x 14ml tubes of Primary Colours. Colours: Primary Yellow (CMYK yellow). Primary Red. Primary Blue (CMYK cyan). Permanent Green Middle. Ivory Black (CMYK black). Zinc White.

Masks work on paper when colour is applied in broad washes.

This additive increases the flow of acrylic colours, by breaking down the surface tension of the water. It is ideal for the application of areas of flat and even colour without changing colour strength. It is also effective for hard edge painting techniques, staining and water colour techniques. It ...

This medium increases the depth, transparency and flow of the colour, making it ideal for blending or fine detail work. It can be used in thicker layers than the Glazing Medium and provides an even gloss finish. This medium dries completely clear and maintains no colour shift from wet to dry when used with Winsor Newton Artists Acrylic.

This medium gives pearlescent or glitter effects to your water colours. It can be mixed directly with water colours or applied over a dried wash.

Gives mottled or granular appearance to colours which usually give a smooth wash. For maximum effect dilute colour with medium alone. Dilution with additional water will provide a variety of results.

This medium is used to mask specific areas of paper, making them resistant to water. It can also be mixed with water colours and is ideal for isolating areas of fine detail. Unlike Art Masking Fluid, Permanent Masking Medium is not removable.

Cotman Water Colours are a range of watercolours that are made to Winsor Newton's normal high quality standards but costs are kept to an economical level by replacing some of the more costly pigments with less expensive alternatives.